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Franz Xaver Winterhalter (20 April 1805 – 8 July 1873) was a German painter and lithographer, known for his portraits of royalty in the mid-nineteenth century. His name has become associated with fashionable court portraiture. Among his best known works are ''Empress Eugénie Surrounded by her Ladies in Waiting'' (1855) and the portraits he made of Empress Elisabeth of Austria (1865). == Early years == Franz Xaver Winterhalter was born in the small village of Menzenschwand, Germany's Black Forest (now part of Sankt Blasien), in the Electorate of Baden, on 20 April 1805.〔Ormond & Blackett-Ord, ''Franz Xaver Winterhalter and the Courts of Europe'', p. 18.〕 He was the sixth child of Fidel Winterhalter (1773–1863), a farmer and resin producer in the village, and his wife Eva Meyer (1765–1838), a member of a long established Menzenschwand family.〔 His father was of peasant stock and was a powerful influence in his life. Of the eight brothers and sisters, only four survived infancy. Throughout his life, Franz Xaver remained very close to his family in particular to his brother Hermann (1808–1891), who was also a painter.〔Ormond & Blackett-Ord, ''Franz Xaver Winterhalter and the Courts of Europe'', p. 19.〕 After attending school at a Benedictine monastery in St.Blasien, Winterhalter left Menzenschwand in 1818 at the age of thirteen to study drawing and engraving.〔Ormond & Blackett-Ord, ''Franz Xaver Winterhalter and the Courts of Europe'', p. 20.〕 He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Schüler (1785–1852) in Freiburg. In 1823, at the age of eighteen, he went to Munich, sponsored by the industrialist Baron von Eichtal (1775–1850).〔Ormond & Blackett-Ord, ''Franz Xaver Winterhalter and the Courts of Europe'', p. 21.〕 In 1825, he was granted a stipend by Ludwig I, Grand Duke of Baden (1763–1830) and began a course of study at the Academy of Arts in Munich with Peter von Cornelius (1783–1867), whose academic methods made him uncomfortable. Winterhalter found a more congenial mentor in the fashionable portraitist Joseph Stieler (1781–1858). During this time, he supported himself working as lithographer.〔Ormond & Blackett-Ord, ''Franz Xaver Winterhalter and the Courts of Europe'', p. 25.〕 Winterhalter entered court circles when in 1828 he became drawing master to Sophie Margravine of Baden, at Karlsruhe.〔 His opportunity to establish himself beyond southern Germany came in 1832 when he was able to travel to Italy, 1833–1834, with the support of Grand Duke Leopold of Baden. In Rome he composed romantic genre scenes in the manner of Louis Léopold Robert and attached himself to the circle of the director of the French Academy, Horace Vernet. On his return to Karlsruhe, he painted the portraits of the Grand Duke Leopold of Baden and his wife, and was appointed painter to the grand-ducal court. Nevertheless, he left Baden to move to France where his Italian genre scene ''Il dolce Farniente'' attracted notice at the Salon of 1836. ''Il Decameron'' a year later was also praised; both paintings are academic compositions in the style of Raphael. In the Salon of 1838 he exhibited a portrait of the Prince of Wagram with his young daughter. His career as a portrait painter was soon secured when in the same year he painted Louise Marie of Orleans, Queen of the Belgians, and her son, Duc de Brabant. It was probably through this painting that Winterhalter came to the notice of Maria Amalia of the Two Sicilies, Queen of the French, mother of the Queen of the Belgians. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Franz Xaver Winterhalter」の詳細全文を読む スポンサード リンク
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